
I wanted to make a piece in two sections both drawn from the same small sample set, but each with its own unique pacing and style. A model vaguely in my mind would have been like a prelude and fugue - each half capable of standing alone, but complementing each oher when played together.
The full title is Ganci & Figli, named after an amazingly scaled, 24-hour rosticceria panineria in the city of Palermo, kindly introduced to me by composer/saxophonist Gianni Gebbia after our shared performance in that city a few years ago.
All music made using the programming language MAX, from Cycling74, as always.
The full title is Ganci & Figli, named after an amazingly scaled, 24-hour rosticceria panineria in the city of Palermo, kindly introduced to me by composer/saxophonist Gianni Gebbia after our shared performance in that city a few years ago.
All music made using the programming language MAX, from Cycling74, as always.
-Carl Stone
Art by Sam Lubicz
I wanted to make a piece in two sections both drawn from the same small sample set, but each with its own unique pacing and style. A model vaguely in my mind would have been like a prelude and fugue - each half capable of standing alone, but complementing each oher when played together.
The full title is Ganci & Figli, named after an amazingly scaled, 24-hour rosticceria panineria in the city of Palermo, kindly introduced to me by composer/saxophonist Gianni Gebbia after our shared performance in that city a few years ago.
All music made using the programming language MAX, from Cycling74, as always.
The full title is Ganci & Figli, named after an amazingly scaled, 24-hour rosticceria panineria in the city of Palermo, kindly introduced to me by composer/saxophonist Gianni Gebbia after our shared performance in that city a few years ago.
All music made using the programming language MAX, from Cycling74, as always.
-Carl Stone
Art by Sam Lubicz