"Three Solo Pieces", Notes by Lubomyr Melnyk

"Three Solo Pieces", Notes by Lubomyr Melnyk

Marginal Invitation

solo piano, created in New York, October 2012

This is an essay into the essential character of piano playing, with a deeply rooted melodic sense, albeit somewhat subdued in character . . .

Corrosions on the Surface of Life

solo piano, created in New York, October 2012

. . . the ability to control various incongruent patterns in each hand simultaneously is one of the fundamental capacities for the Continuous Music player. It creates a gentle flow in the mind, hence the title for this piece . . . the dark spiral of difficulties we face in life . . . that journey through hardships . . . the workings of our mind as we see the dangers and the disasters looming . . . the mind working, working . . . to see a way out, to find that saving solution . . . the images spoken through the Continuous Technique . . . yes, there is a way out, that soothes the wounded surface of our lives.

Cloud Passade No. 3

solo piano, composed in Estonia, 2010

The Cloud Passades are a group of pieces in 6/8 rhythm with a chordal flow that is simple yet complex in its execution . . . All of the Cloud Passades have an internal chordal melody -- a song that is sung by the chords, without a visible melodic line. In this performance, I chose a moderately slow speed to give a calmer effect, creating a gentle tapestry that blends into the distance . . . The Cloud Passade No.3 is much larger than most of the others, and has several added sections for variation. The duration of this piece is also quite variable . . . moreover, it can be performed as a 2-piano work. Each “chording” is in free-time, allowing the player to stretch or condense the duration of each chording. The note-speed is also quite adjustable to suit each player’s finger control. When I performed this work live at concert speeds, I found my right hand undergo a painful and difficult transformation internally with bones and tendons being shifted into their “perfect” structure . . . with the joyous result that the right hand became pure light.